74,926 Free Images of Colored Etching

hand-colored lithograph on paper the aboriginal portfolio lithographs in the smithsonian american art museum smithsonian american art museum james otto lewis print steinfels collection zentralbibliothek zürich ojibwa people salomon gessner

Neun-brunnen, in the canton of Basel, Salomon Gessner, 1782

steinfels collection salomon gessner

Grotta Ferrata, Carl Ludwig Kuhbeil, circa 1810

grottaferrata in art carl ludwig kuhbeil

St. Jacobs Brunn am Cromberg, Canton Apenzell, iR, Salomon Gessner, 1787

steinfels collection salomon gessner

Pierre-Port, in the diocese of Basel, Salomon Gessner, 1783

steinfels collection salomon gessner

Waterfall not far from the Leüker bath in Valais, Salomon Gessner, 1785

steinfels collection salomon gessner

The Urner-Loch, seen from the Teüfels Bridge, Salomon Gessner, 1781

steinfels collection salomon gessner

Schalfik, a village in Pretigeü in Pünten, Salomon Gessner, 1782

steinfels collection salomon gessner

Ruins of Habsburg at 4 Waldstädter See, Salomon Gessner, 1782

steinfels collection salomon gessner

Silva Plana. from the St. Morizer Alp, Salomon Gessner, 1787

steinfels collection salomon gessner

Michaelis Capell, or Wild-Kirchlein, Canton Appenzell, inner Roden, Salomon Gessner, 1786

steinfels collection salomon gessner

Fall des Tessin am Gotthard-Berg, Salomon Gessner, 1781

steinfels collection salomon gessner

Glacier in Rheinwald in Pündten. The first source of the Rhine, Salomon Gessner, 1785

steinfels collection salomon gessner

J.J. Rousseau apartment in Moutier-Travers, Salomon Gessner, 1784

steinfels collection salomon gessner

Origin of the Trient in Valais, Salomon Gessner, 1784

steinfels collection salomon gessner

The tutu, (commonly called toot) in flower., Martha King, 1842

art in the national library of new zealand martha king

Bracciano (Views of Rome and Its Environs, plate 2), Edward Lear, 1841

engravings by edward lear t. m'lean

Chippeway Women, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TA-MA-KAKE-TOKE or the Woman that Spoke First; A Chippeway Woman (mourning), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Het verwijderen van de palen L'arte di rendere i fiumi navigabili, in varij modi, con altre nuove inventioni, e varij altri segreti (serietitel), RP-P-OB-207.621(V), Cornelis Meijer

etchings in the rijksmuseum amsterdam cornelis meijer

PortaNigra 1895, Bernhard Mannfeld

trier in the 19th century etchings

Hamburg Domkirche, Friedrich Jügel, 1806

mariendom (hamburg)friedrich jügel

Daguerrotipo de una bailarina de la escuela bolera, hacia 1850, SB-0001 P

19th-century unidentified photographers marie guy-stephan

Louis-François Marie Le Tellier, Marquis of Barbezieux, Cornelis Vermeulen

louis-françois marie le tellier cornelis martinus vermeulen

Interior with two magnetic stones, Gommarus Wouters, 1696

gommarus wouters cornelis meijer

Laying paving stones in the Piazza del Popolo, Cornelis Meijer, 1696

gommarus wouters cornelis meijer

The Malermi Bible, vol. II, 15 October 1490

luca antonio giunta giovanni ragazzo

The Medici Venus, Jan de Bisschop, 1669

jan de bisschop baroque

Trees, Alexander Shilling, 1904

department of american paintings and sculpture, metropolitan museum of art alexander shilling

Battle of Milleker's Bend LCCN2002698356, Frank Leslie, 16 January 1864

frank leslie's illustrated newspaper, 1864 c. e. f. hillen

Trees, Alexander Shilling, 1904

department of american paintings and sculpture, metropolitan museum of art alexander shilling

Kade aan een water in Yokohama met links de pianohandel van JG Doering Creek Side Yokohama (titel op object), RP-F-F01102-AF, ca. 1870 - ca. 1900

rivers of kanagawa prefecture history of yokohama

Domestick amusement: The lovely spinner, James Watson, 1764

james watson (engraver)jean-gaspard heilmann

Courageous Rinaldo, Antonio Tempesta, 1597

antonio tempesta - orlando furioso renaissance

n130_w1150

Bound ., Perham Wilhelm Nahl, 1926

perham wilhelm nahl etching

Les serments du berger, Louis-Simon Lempereur

louis-simon lempereur etching print

Les présents du berger, Louis-Simon Lempereur

louis-simon lempereur etching print

Design for triple light window

tiffany studios art nouveau

Design for triple light window

tiffany studios art nouveau

Design for triple light window

tiffany studios art nouveau

Design for triple light window

tiffany studios art nouveau

Wooded Landscape with Cows beside a Pool, Figures and Cottage, Thomas Gainsborough, 1775–80

prints by thomas gainsborough rococo

Sechseläutenlied: National children's songs for the youth of Zurich. IV. Piece, Johann Rudolph Schellenberg, 1787

johann rudolph schellenberg steinfels collection

True depiction of the gracious Mother Mary to the snow together with her Holy Chapel on the Rigÿ mountain, Caspar Wolf

steinfels collection romanticism

View of the surroundings of Bern, taken from behind the Graben, Balthasar Anton Dunker, circa 1779

balthasar anton dunker steinfels collection

Jacob Persuaded to Send Benjamin with His Brethren into Egypt, William Wynne Ryland, 1762

prints in the national gallery of art (washington, d.c.)william wynne ryland

Sagone Bay Battle - British Naval Engagement, May 1811, Robert Havell, July 1812

prints in the royal collection of the united kingdom robert havell

Female Nude on the Beach of Fehmarn, Ernst Ludwig Kirchner, circa 1914

paintings of nudes by ernst ludwig kirchner expressionism,expressionism

Postcard of Ljubljana 1917 (2)

postcards of the ljubljanica in ljubljana 1917 postcards of ljubljana

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Young Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Chippeway Woman and Child, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE SON; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Prairie Wolfes Attacking a Buffalo Bull Plates from Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America, George Catlin, ca. 1865

lithographs by george catlin realism

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Africa Agreeable to the Most Approved Maps, Thomas Conder, 1778

maps by thomas conder 1778 maps of africa

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Round and Sound, Five Pence a Pound, Duke Cherries, Francis Wheatley, published 1795

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

Do You Want Any Matches?, Francis Wheatley, published 1794

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A New Love Song Only a Ha'Penny a Piece, Francis Wheatley, published 1796

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Africa Drawn from the Latest Authorities, Thomas Kitchin, 1780

maps by thomas kitchin 1780 maps of africa

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

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